PRADA AND CAVALLI AT MFW: FROM DIGITAL NOISE TO DISTINCT IDENTITY

Preview

MILAN — The latest Prada show unfolded a narrative about individuality in an algorithm-driven world. Miuccia Prada’s assertion that our preferences are molded by external influences resonated throughout the presentation. Co-designer Raf Simons pointed out the repetitive nature of digital searches, prompting the duo to respond with a collection designed to elevate personal expression into a unique form of artistry.

The question arose: how does one innovate within the constraints of a fashion show? The answer lay in the diversity of models, each showcasing a different aesthetic drawn from Prada’s extensive archives. Rather than simply revisiting past designs, the collection felt like an eclectic exploration, akin to cherry-picking from a beloved library. A particularly nostalgic moment was the return of the triple-soled brogues from Spring 2011, linking the past to the present.

Miuccia revealed that this shift in approach made her more anxious than usual, especially with the added pressure of her involvement in the America’s Cup. She described the collection as a journey of “50 ways to embody Prada today,” allowing for a sense of chaos that hearkened back to her earlier work. This return to form showcased her talent for uncovering beauty in the mundane, a quality that had momentarily shifted during her partnership with Raf.

From the outset, the collection’s spirit was evident. The first look—a floral slip with a relaxed shoulder strap—set the tone. Each ensemble served as a confrontation of aesthetics: a tweed jacket layered over a vinyl miniskirt depicting a post-apocalyptic beach scene, contrasting textures and colors that boldly challenged conventional standards of beauty. This playful defiance echoed Prada’s “ugly chic” legacy, subverting the trend of understated luxury. Miuccia acknowledged this duality, emphasizing a thread of “superreal” that unified the collection amidst its apparent chaos.

Returning to her roots, Miuccia’s distinctive mix of propriety and whimsy was palpable. Models displayed a natural look, with minimal makeup and effortless hairstyles, punctuated by a striking dark lip that defied algorithmic predictability. Intriguing accessories like insectoid sunglasses and oversized visors injected an avant-garde sensibility, inviting viewers to reconsider their expectations.

Roberto Cavalli | Vogue Runway

Meanwhile, across the city, Fausto Puglisi, stepping into Roberto Cavalli’s legacy, embraced the evolution of fashion’s audience. Acknowledging a younger, freer consumer, he recognized the importance of relevance in today’s market. His collection successfully balanced the sensual essence of Cavalli’s heritage with a contemporary twist, leaving behind the unsettling elements of the past.

Opening with a tribute to his Sicilian roots, Puglisi presented flowing whites and natural textures that evoked summer’s warmth. Each piece told a story—net dresses adorned with shells, prints capturing Mediterranean sunsets—creating a raw, elemental feel that resonated with the audience. Puglisi’s commitment to sustainability was evident as he moved away from traditional luxury, stating, “No fur, no feathers, no crocodile,” opting instead for innovative materials like raffia.

The show became a tribute to Cavalli’s legacy as supermodels graced the runway in iconic archive pieces, a reminder of the brand’s storied past. When Puglisi invited Cavalli’s widow, Eva, to join the models, it symbolized his vision to honor and revitalize the essence of Cavalli for a new generation.

Milan’s latest offerings serve as a reminder that amidst the chaos of digital noise, authenticity and individual expression remain at the forefront of fashion’s evolution.



Bungalow 28 is a tech and creative agency dedicated to fashion, luxury and cultural brands worldwide.

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